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c. 1445 – May 17, 1510. Italian painter.

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Jean Baptiste Camille Corot
Le Chateau Saint-Ange et le Tibre (mk11)

ID: 20996

Jean Baptiste Camille  Corot Le Chateau Saint-Ange et le Tibre (mk11)
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Jean Baptiste Camille  Corot Le Chateau Saint-Ange et le Tibre (mk11)


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Jean Baptiste Camille Corot

1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.  Related Paintings of Jean Baptiste Camille Corot :. | Le pont d'Auguste a Narni (mk11) | The Church of Trinita dei Monti Seen from the Villa Medici (mk05) | Portrait of the artist (mk05) | Venise (mk11) | La cathedrale de Sens (mk11) |
Related Artists:
Orchardson, Sir William Quiller
English, 1832-1910
Hanna Mehls
painted Blumenstillleben in 1900
Alfred Jacob Miller
American Painter, 1810-1874 1810?C74, American artist, b. Baltimore, studied under Thomas Sully and in Europe. In 1837 he joined an expedition to the American West and was probably the first artist to depict the Rocky Mts. On that trip he produced his most important works, chiefly studies of Native American and frontier life, valuable for their documentary detail. These sketches and watercolors were entirely forgotten for nearly a century until they were rediscovered in a storeroom of the Peale Museum, Baltimore.






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